Archive for the ‘Gina Vivinetto’ Category

By Gina Vivinetto

No Doubt performed live on the Today show yesterday. Here are links to the performance: “Don’t Speak,” “Spiderwebs” and “It’s My Life.”

They sounded okay, not great, but that’s got a lot to do with the horrible mix. And, yes, Gwen forgot lyrics. Damn. As a singer, I can say: it happens to the best of us.

The band was especially bleached three of the with all four No Doubters sporting peroxide blonde hair and Gwen clad in what looks to be my junior high New Wave boyfriend Tom‘s bleached trousers. Noted: Ms. Stefani wore her signature 1990s hair knots, signifying she is back in full-on band mode. As opposed to solo mode, which would entail her bringing along the Harujuku Girls.

In fact, everything about Gwen reeked of her No Doubt days — the clothes, the moves — except for the fact that fame and fortune have made her emaciated. Somebody wanna get Ms. Stefani a sandwich?


Anyone going to see No Doubt on its reunion tour? I’m hoping to see them in a few weeks on my visit home to Florida. It will be my first time seeing Gwen with the band. If it’s as good as her solo show, I’m in luck.

Your thoughts?


By Gina Vivinetto

Remember Dave Stewart, the wooly guitarist of The Eurthymics, the 1980s British duo that also featured Annie Lennox?


Stewart has been busying himself over the years with his solo music, studio and production work and, now, designing a custom sex toy.

According to The Sun, Stewart is the man behind a pricey new vibrator – 2000 pounds in England, which converts to…hold on…about $1,300 in the States.

Stewart, 56, has created the diamond-studded “Little Steel Tonight” vibrator. It’s made of solid steel, with a satin finish, and it’s got 28 diamonds adorning it along with the lyrics to Stewart’s new single, “Let Do It Again.”

Stewart also created a more affordable vibrator called the “Little Chroma Tonight” which retails for about $135.

Stewart, the father of four, was married to Bananarama‘s Siobahn Fahey from 1987 to 1996. He’s now married to Dutch photographer Anoushka Fisz.

By Gina Vivinetto

As anyone knows me knows: this is the most important day in rock ‘n’ roll. I’m going to take this opportunity to reprint an article I wrote for the St. Petersburg Times in 2004 when I was the paper’s pop music critic. It’s five years old, so don’t be fooled by the ages listed:

Raise a toast this day, rock ‘n’ rollers. It’s a special one for music lovers.

Jan. 8 marks the birthday of Elvis Presley, the King of Rock ‘N’ Roll (today Elvis would have celebrated number 69), and the birthday of several more notables in rock history.


David Bowie turns 57.


The Doors’ Robby Krieger is 58.


Little Anthony Gourdine of Little Anthony and the Imperials: 64.

R. Kelly celebrates number 35.

Terry Sylvester of the Hollies is 57.

Shirley Bassey turns 67.

Even the late concert promoter and Grateful Dead buddy Bill Graham, who devoted his life’s work to rock music, was born on this day in 1931.

Can you imagine what rock would be like if Jan. 8 were wiped off the calendar?

Think of the rock history we would have been denied: No “Hound Dog”, as done by Elvis, with leg wiggle. No Bowie dressed as Ziggy Stardust. No “Light My Fire.” (Krieger wrote the tune.) All those legendary Dead concerts at the Fillmore in San Fran – poof! Gone.

You wouldn’t be reading this article. My birthday, too, is Jan. 8, as I’ve been proud to say my whole life.


As has Jeremy Gloff.


The Tampa singer-songwriter turns 29 today. Gloff says he found out back in middle school that he’d been born on a special day. Already a music obsessive, “I bragged to everyone about it,” Gloff says. “If the day Buddy Holly died was the day music died, than Jan. 8 has got to be the day the music was born.”

With 12 albums under his belt, tireless Gloff shares a work ethic equal to that of Presley and Bowie.

Could it be a Capricorn thing?

Astrologists say Capricorns, folks born between Dec. 22 and Jan. 19, are a hard-working bunch. Like the goats who represent us on the zodiac, we see a mountain, and by golly, we climb it.

Unfortunately, Capricorns are also supposed to be uptight, prone to mood swings and gloominess, and fastidious to the point where it’s an unpretty line between our orderliness and others’ obsessive-compulsive disorder.

“My CD collection is totally alphabetized,” Gloff admits. “It’s sorted by release dates, all the albums in a row by the date they came out. Even CD singles are organized in between by the date. I’m totally Type A.”

When I spoke with Krieger last year while he toured with the Doors 21st Century, we discussed magic Jan. 8. We jawed about astrology – turns out, Krieger is into the stuff and, like Elvis and Bowie, always searching spiritually.

Krieger said that, like most Capricorns, he’s finding himself less gloomy and more playful as he gets older.

We giggled about how Krieger, in his 20s during the 1960s, believed all of the bad things going on in the world and in his life were part of a great conspiracy.

Paranoid? A Capricorn? Well, the astrology books say we’re “cautious.”

Cautious like Elvis, with his “Memphis Mafia” and rampant conspiracy fears? Walled up in Graceland, shooting TV sets, windows and anything else that reminded him of a reality he couldn’t deal with. Ultimately dying “down at the end of Lonely Street” in his bathroom, fat, bingeing, addicted to the drugs that were meant to combat the mood swings and gloominess and paranoia.

Or David Bowie, holed up, high on cocaine in Berlin during his 1970s recording blitz? Dressing in vintage war clothes as the Thin White Duke, his alter ego too “cautious” to blink in public.

Gloff’s no paranoid freak, but he does see similarities between Bowie and himself:

Like Bowie did during the 1970s, Gloff wears his sexuality on his sleeve or, in the case of Gloff’s pic on Romantico, his latest disc, across his chest. Gloff’s vintage iron-on T-shirt reads: Made for Loving Him. He also changes his look a lot. Right now, Gloff’s head is shaved, but his hair has been an assortment of colors, and he’s been known to wear electrical tape as part of his onstage wardrobe.

Also, as Bowie did several times during the 1970s and the 1980s, Gloff toys with a musical alter ego. When Gloff records his peppy, naughty electronica dance music, it’s under his J.Glo alias.

Gloff gives props to the King, too, but he’s says he’s not much of an Elvis freak. The King’s former queen, however, is another story.

“I’m a huge fan of Priscilla Presley,” Gloff says, “She always had good hairdos, even on Dallas.

Anyway, Happy Birthday, everyone. It’s a rock ‘n’ roll party. Get yourself a slice of cake, that is, if The King left any for the rest of us.

By Gina Vivinetto

Krautrock superstars Kraftwerk are in the news a lot this week. Billboard reports that the band has accepted the opening slot on Radiohead’s spring tour of Latin America.



What a great bill that is for fans of songs about the technology, computers, robots and um, loving technology, computers, and robots. Except, in my opinion, it should be called a double bill because Kraftwerk is too important to be called anyone’s “support.”



Alas, Kraftwerk has probably sold a tiny fraction of the albums Thom Yorke and company have despite the fact that they’ve been around twice as long and have influenced countless rock and electronica musicians.

In other Kraftwerk news, according to the band’s official web site, founding member Florian Schneider, has left the group.

This leaves only one original member remaining in the band, Ralf Hutter. Geez, that will really change the live show. (I’m just kidding, because they all stand motionless behind behemoth keyboards and pretty much look identical).

Have you seen Kraftwerk live? Radiohead? Does this sound like double-bill heaven to you? Do robots go to heaven?

Miles Davis on fame vs. talent

Posted: January 7, 2009 by ginavivinetto in Gina Vivinetto, music
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By Gina Vivinetto


“All you’ve got to do in this country today is just be on television and you’re more known and respected than anyone who paints a great painting or creates great music or writes a great book or is a great dancer. People were already calling me ‘Mr. Tyson,’ or saying, ‘I know who you are. You’re that guy who’s married to Cicely Tyson!’ And they would be sincere when they said that. It taught me that a bad, untalented person who is on television or in the movies can be more recognized and respected than than a genius who doesn’t appear on the screen.”

–Late jazz great Miles Davis discussing what it was like being married to film star Cicely Tyson.

I once heard that Miles slapped a man across the face when he asked, “Aren’t you Cicely Tyson’s husband?”

By Gina Vivinetto

Oh no, I just read that Ron Asheton, legendary guitarist of The Stooges, has died. Ron was 60.


Ron was found dead this morning in his home in Ann Arbor, Michigan.

In recent years, The Stooges, which also included Ron’s brother Scott Asheton and the great Iggy Pop, had reunited and in 2007 the band released The Weirdness, a critically acclaimed album of new material.

By Gina Vivinetto

Top Albums (in alphabetical order):

1. Deerhunter, Microcastle
2. Fleet Foxes, Fleet Foxes
3. French Kicks, Swimming
4. The Last Shadow Puppets, The Age of Understatement
5. Ra Ra Riot, The Rhumb Line
6. Santogold, Santogold
7. Wolf Parade, At Mount Zoomer
8. Wye Oak, If Children

Best singles:
1. M.I.A. “Paper Planes”
2. Santogold “Lights Out”
3. Rihanna, “Don’t Stop The Music”
4. whatever singles the Black Kids released

Best reissue to DVD:


Actually, it’s never been on DVD before and this is why it took me nearly three decades to see it: Ladies and Gentlemen, The Fabulous Stains, a great little dramedy about the exploitation that goes on in both the media and the music industry. Best line: When teen age rock star Corrine Burns (as played by a 16-year-old Diane Lane) snarls, “I think every citizen should be given an electric guitar on her 16th birthday.” Another plus: great feature characters played by Fee Waybill of The Tubes, Paul Cook and Steve Jones of the Sex Pistols and Paul Simonon of The Clash.

Most interesting people:

Barack Obama: I can’t believe a black guy won.
Rachel Maddow: I can’t believe a lesbian hosts an MSNBC show.
Lindsay Lohan: I can’t believe a starlet came out of the closet.
Sarah Palin: I can’t believe this imbecile ran for VP.

By Gina Vivinetto

I read a recent article about The Vines canceling their tour because of frontman Craig Nicholls‘ deteriorating mental health. Nicholls was diagnosed with Aspergers in 2004 after his behavior had grown increasingly erratic and violent, but it looks like he’s getting even worse.


For the record, I’m not sure Aspergers makes you act manic and out-of-control– Nicholls attacked a photographer among other things– but admittedly I don’t know an awful lot about the disease. Still, it sounds to me like Nicholls is suffering from full-blown bipolar disorder. Or schizophrenia.

Which brings up of a subject I find interesting: the notion of “outsider artists” in rock ‘n’ roll. There have been endless debates about artists like Daniel Johnston, whom I attempted to interview in 2003, a schizophrenic and bipolar musician whose behavior is often dangerous and combative – Johnston was once arrested for attacking his friend with a lead pipe because he believed him to be the devil, and also the late Wesley Wills, a schizophrenic black man who grew up in Chicago foster homes and later recorded childlike songs about Batman that white indie rockers adored. (Willis died in 2003 of chronic leukemia. He was 40).

Wesley Willis.

Wesley Willis.

There is ample footage of both men, Johnston in the acclaimed 2006 documentary The Devil and Daniel Johnston and Willis in the 2003 documentary The Daddy of Rock ‘N’ Roll, where cameras followed him around as he talked to himself. (Another documentary was released about him this year).

I think it’s worth repeating that Willis sang his goofy songs to mostly white audiences, often college-age frat boys who were happy to oblige Willis when he asked them to bash their heads into his. Willis enjoyed head butts from fans so much, he walked around with a permanent knot on his forehead. For many reasons (which include the nefarious history of race relations in the United States), this image bothers me.

For as long as “outsider musicians” have been involved in the industry, critics have asked the question: is it okay to profit off these people? Or are we exploiting them?

Certainly, there are red flags that these artists have not always been taken care of by their management. Despite his indie rock cult stardom, Wesley Willis, who recorded over 1,000 songs and played to huge sell-out crowds, died with a total life savings of $300.

Where is Willis’ money? That question has still never been sufficiently answered.

Even more interesting to me is the criteria for an outsider artist. Which mentally ill musicians – and there are plenty – are to be considered outsider? Why are musicians like Brian Wilson and the late Kurt Cobain, no strangers to the manic and the depressive, considered mainstream artists when others are relegated to the musical looney bin?


Where does Britney Spears, who had the world’s most public nervous breakdown, fit into all of this?


The world monitored Britney’s bizarre behavior for all of 2007 and 2008. And now it’s acceptable to push her lucrative ass back on the road? Why? Because an untold amount of people make their living off her performances?

Britney attacked a car with an umbrella. She shaved her head as the paparazzi snapped pictures. Shouldn’t Britney be the Queen of the Outsider Artists?

That question would be easier to answer if Brit were not in such elite company. Many of the biggest musical stars of the last 20 years have suffered from mental illness (including bipolar disorder and depression): Spears, Cobain, Axl Rose, Michael Jackson, Marilyn Manson, Trent Reznor and I’ll leave it up to you to diagnose Madonna and Prince.

This is nothing new. The connection between creativity and mental illness has been written about for years.

But the music biz is not just about creativity, it’s a business. Like it or not, Britney Spears and Daniel Johnston, Kurt Cobain and Craig Nicholls, crazy as they may be, are products that we buy.

I don’t know how to determine who’s well enough to be in the industry and who’s not. Or which damaged people should be marketed as such and which should not.

But I applaud the decision made by The Vines’ members and management and I hope in the future, others reflect on it. Craig Nicholls may be a product, but he’s a person first.

By Gina Vivinetto

Have you had a gander at the album cover for Morrissey’s 2009 release Years Of Refusal? Check it out:


Why the hell is Morrissey holding a baby? Is this his inner child? Is it merely another installment in a series of Pictures of Morrissey Doing Things We Never Thought Possible, for example, his 2004 album cover for You Are The Quarry in which he’s brandishing a tommy gun.

A tommy gun, fine, but a BABY? That’s just creepy.

And what’s with the ink on the kid’s forehead? And Morrissey’s arm? Is he a cutter now?

What’s going on?

Do you have an interpretation?

By Gina Vivinetto

Some pranksters are circulating “videos” of David Lee Roth‘s bare vocal tracks from a few of Van Halen‘s classic tunes. It’s pretty weird listening to him yelp and squeal and holler without the accompaniment of thunderous drums, thudding bass and Edward Van Halen‘s guitar wizardry.

For example, “Runnin’ With the Devil”:

It’s nice to finally make out some of those lyrics. As far as Dave sounding lousy, I don’t agree at all. I wish he sounded this good when I saw the band in concert earlier this year.

What do you think?

By Gina Vivinetto

In an earlier post, we wrote about Spencer Elden, the little baby on the cover of Nirvana‘s Nevermind album who’s now a 17-year-old young man.


Well, we just found an recent interview with Heather DeLoach, the little Bee Girl from Blind Melon‘s whimsical 1993 “No Rain” video.

Let’s refresh your memory:

Heather is now a 25-year-old actress living in California. Here’s the Bee Girl all grown up:


Heather appeared in the flicks A Little Princess, Camp Nowhere, Anywhere But Here, and on the television programs Tracey Takes On, ER, and Reno 911.

Heather says, naturally, people don’t recognize her as the Bee Girl:

“When I casually meet people, they don’t know and I don’t display it to them,” she says. “But within an hour, someone is bragging about it, like my boyfriend or my friends, and they’re like, ‘Oh my God, that’s you?’ “

But she doesn’t mind:

(It’s) the best thing that happened to me. At 80 years old, people are still going to be wondering what I’m doing,” she says. “It’s opened so many doors with acting and my personal life, it’s been a blessing.”

Nice to catch up with you, Bee Girl!

By Gina Vivinetto

If you’re in New York tonight, please consider swinging by the 3rd annual Willie Mae Rock Camp For Girls auction at 6 p.m. at the Zipper Factory. Everyone’s favorite showbiz personality Murray Hill will emcee the live bidding, with proceeds going to the camp’s scholarship fund.

The show cost $50 to get in and features live performances by the always riveting Meshell Ndegeocello


and super-talented Erin McKeown:


To learn all the details, check out this flyer (Click the title of this post to expand the page):


To lear more about Willie Mae Rock Camp for Girls, click here.

Remember, these little girls are tomorrow’s Sweaty Bitches of Rock ‘N’ Roll.

By Gina Vivinetto

I’m sure Beatles fans everywhere breathed a sigh of relief when the Vatican announced recently that it had forgiven John Lennon for saying 40 years ago that the Beatles were more popular than Jesus Christ.

What a crock-of-shit media spin that was.


Lennon said in the spring of 1966 what many ordinary people say regularly nowadays: Jesus was all right, but his followers are a drag.

Here’s the exact quote:

“Christianity will go. It will vanish and shrink. We’re more popular than Jesus now – I don’t know which will go first, rock and roll or Christianity. Jesus was alright, but his disciples were thick and ordinary. It’s them twisting it that ruins it for me.”

But of course, idiotic journalists spun it to suit their needs and make a huge controversy out of it.

Here’s a not-quite-contrite Lennon a few months later explaining what he meant by the comment:

Lennon’s Jesus comment was also a critique of young people around the world putting more emphasis on the words of John Lennon than they did the teachings of Jesus Christ.

Now, the Roman Catholic Church, in its latest effort to appear less stodgy, has “forgiven” him, which is ironic because John Lennon’s music has done more to promote the ideas of universal peace, harmony, and love in the past 40 years than the church has done in its history.

By Gina Vivinetto

Apartment Therapy is a lovely site featuring snapshots of beautiful homes and decor. Every once in a while the site tosses in a nutty, priceless piece like this one where they’ve dug through an old Life magazine and reprinted photos from an article showcasing the homes of parents of 1970s rock stars including Elton John, David Crosby, Eric Clapton and Grace Slick.

These were some of the era’s most flamboyant stars, so, naturally, it’s fun to see their parents’ utter normalcy.

Here are a few that I liked (click on any picture to enlarge):

Here’s Frank Zappa with mom and dad:


Elton John with his mum and step dad:


Grace Slick with her mom:


That nice, young man Eric Clapton with his grandmother:


David Crosby with his dad (the grandad of Melissa Etheridge‘s kids, when you think about it):


There are several more on the site. Click here to see the homes of the parents of Donovan, the Jackson 5, and others.

By Gina Vivinetto

Are you on Myspace? Are you curious about Chinese Democracy, the new Guns N’ Roses album, but you don’t want to pay for it?


Good news, the band’s profile page is streaming it for free.

Axl Rose and his rotating cast of session musicians began recording this album 16 years ago – hey, that’s a year after Nirvana‘s Nevermind came out. Lots of things have changed since the early 1990s. For instance, here’s the baby from Nevermind’s cover now, his name is Spencer Elden and he’s 17:


I’m reminded of this, naturally, because Axl and Kurt got along so famously.

Give Chinese Democracy a listen and tell us what you think. Was it worth the wait?

By Gina Vivinetto

Mark your calendars, rock ‘n’ rollers for Rockrgrl Day at the Institute of Musical Arts in Goshen, Ma. on Dec. 6.

Rockrgrl Day is an all-day symposium organized by Carla DeSantis, editor of the groundbreaking Rockrgrl magazine. It’s a day of sharing ideas and networking for anyone interested in pursuing a career in the music industry during these economically bleak times.

The event kicks off at 10:30 am with DeSantis interviewing keynote speaker Robin Lane (Robin Lane and The Chartbusters, A Woman's Voice).

The rest of the day includes the following panels:

1-2:30: Are the Glory Days of the Music Industry Behind Us?
Moderator: Ann Hackler, (IMA Executive Director). Panelists: Nini Camp (musician), Liz Borden (DJ) and Norma Coates (professor, Media Studies)

2:45-4:15: How To Make a Living In Tough Economic Times
Moderator: Emily Lichter (Public Emily management/promotion). Panelists: Brooke Primont (Cherry Lane Publishing), Kudisan Kai (vocalist/ teacher Berklee) and Kristin Bredimus (promoter/NEMO/BMA)

4:30-6:00: Tomorrow: What Will A Career In Music Look Like?
Moderator: Leah Kunkel (artist/attorney). Panelists: Beth Tallman (VP Rykodisc), June Millington (musician/producer/IMA cofounder) and Marci Cohen (music journalist).

The event costs $75 for adults, $50 for students.

For more information, or to register, go to Rockrgrl Day at IMA.

By Gina Vivinetto

Just in time for the holidays, aging punk rockers (and newbies who wanna know) can buy each other this big, fat coffee table book about The Clash, pioneers of British punk rock and one of the most intelligent, socially conscious bands of all time. Not to mention a band unparalleled in its musical adventurousness. Reggae beats? Dub? British white boys rapping? Why the hell not?


The best part is the tome was put together by the band itself – which is a marvel considering ol’ dead Joe Strummer ascended to heaven in ’02.

The book includes tons of images from the official Clash archives like tour posters, never-before-seen photos, and artwork. The band’s history is told by the members themselves in a collection of interviews. And yes, Strummer’s voice is all over it. It would not be a Clash book without him.

By Gina Vivinetto

“Is it harder for women in the industry in general? Definitely. I was trying to make a case for Madonna the other day, saying that she’s to be admired for her longevity in a genre that has mostly been for younger acts. Men are able to sustain a career into their 50s and 60s and still present themselves as sex symbols. With women on the other hand, people say, ‘Why doesn’t she retire?’ It’s just so unfair. So I have to give props to Madonna.”

— folk singer Tracy Chapman in The Guardian.

Amen, Tracy. This is a subject that fascinates my friends (including many gay boys) and me. Why do people say Madonna, at 50, is too old to be a pop star? Is the cut-off age different for a woman? Look at 65-year-old Mick Jagger, 67-year-old Bob Dylan, and 61-year-old Elton John. All of those guys are admired for continuing to make music and tour.

Madonna’s vilianized for it.


I once read a review (written by a man) of a No Doubt show that suggested Gwen Stefani at 35 (when this was written), was too old to sing “Just A Girl.”

Have men also determined the age when a woman can no longer identify herself as a girl?

Does it go both ways?

Should Roger Daltrey no longer sing “I’m A Boy”? He dusts of his creaky old bones every few years and tours. Should we tell him to stop? He’s 64.

This notion, that it’s embarrassing for older women to continue to perform and make music, is so ingrained in our culture. I can’t tell you how many comments I’ve heard about how “gross” Madonna is for continuing to package herself as a sex symbol now that she’s hit the big 5-0.

Which is funny, because she looks like she could be Mick Jagger’s daughter. Not that it should matter.

You got an opinion on this?

By Gina Vivinetto

Former angry young man Elvis Costello will debut his new one-hour talk show Spectacle: Elvis Costello with… on the Sundance channel December 3. I know, it’s hilarious to picture Elvis chatting up famous rock stars. Take it from someone who’s interviewed him: Elvis is an effin’ mumbler.


Mr. Costello’s first guest will be Sir Elton John, who also serves as the program’s executive producer. The projected schedule of guests:

12/3: Elton John
12/10: Lou Reed + Julian Schnabel
12/17: Bill Clinton
12/24: James Taylor
12/31: Tony Bennett
1/7: The Police
1/14: Rufus Wainwright
1/21: Kris Kristofferson, Rosanne Cash, Norah Jones, John Mellencamp
1/28: Renée Fleming
2/4: Herbie Hancock
2/11: She & Him, Jenny Lewis, Jakob Dylan
2/18: Diana Krall
2/25: Smokey Robinson

Here’s hoping keyboardist Herbie Hancock doesn’t remind Elvis (and his audience) of that famously off-the-cuff and off-color comment Elvis made years ago about Ray Charles being “a blind ignorant n*****.”

By Gina Vivinetto

I ain’t gonna front: I lifted this right off the fab blog Gaytriarchy, whose resident homo made a delightful video of all the indie rock and hipster celebrity cameos on Nickelodeon’s brilliant The Advenutires of Pete & Pete. Look for Iggy Pop, Juliana Hatfield (as the Lunch Lady, remember?), mail carrier Ann Magnuson, Debbie Harry, Janeane Garofalo and Patty Hearst, among others.

Big bonus points for those of you who can spot the rest of the stars:

Okay, so tell us, who did you spot?

By Gina Vivinetto

Carrie Brownstein, former guitarist for Sleater-Kinney, reviewed Wii Music for Slate, deciding, ultimately, that the game falls short. Carrie writes:

“(T)he game doesn’t go far enough; despite exalting creativity, you still feel more like an audience member than a band member—on the sidelines, watching yourself on-screen, where it seems like you’re having more fun. The game shows you a fantastical sonic world but falls short of letting you invent your own.”

Yeah, but this is from someone who’s used to doing this:


Carrie previously reviewed Rock Band for the site, deciding it, too, was lame.

I don’t know. I think the trick with games like Wii Music and Rock Band is to suck at music in real life. If you can’t play decent guitar, you’re satisfied just making noise along to Billy Idol’s “White Wedding.” Right? Although my musical ineptitude IRL translates to my game play. The one and only time I played Rock Band, I was in a department store trying out the demo game. As soon as I started, two little kids, brother and sister, came up and watched me. I was not good. They seemed embarrassed for me. When I was finished, I turned to walk away and the little girl said, “Nice try.” Did I detect sarcasm? I had no idea I still had the capacity to be intimidated by children.

I’m sure some of the other Sweaty Bitches, with all their musical prowess, can let me know if Wii Music is less fun than actual “axe-weildin.'” Anyone?

How about you?